Pitchbend and CC information can now benefit from curves and ramps in the automation lanes. The Sampler Track goes from strength to strength.
You can opt for it to happen on every note or only when playing legato.
Moving through Standard, High, Best and Extreme they all sound pretty similar to me but the Vintage option comes with some nice bit reduction and turntable emulation for a good bit of grit and gentle warp.Ī Glide knob has appeared in the Pitch section which adds some monophonic glide to your playing. There are some options for the Quality of the playback. It turns it into a proper instrument making machine. They’ve added pair of LFOs with multiple waveforms and variable shapes that can be applied to the pitch, filter or amplifier. This is more applicable to drum loops and noises than instruments but it’s very fast, accurate and instantly playable. Now it will automatically slice your sample and map it across a keyboard for instant slice triggering. Version 11 brings in some intelligence to push the fun even further by making it just not quite so basic. Also, it doesn’t have to be audio, it can be a MIDI part that Cubase automatically renders into audio when you drop it – genius! You’re not creating multi-sampled instruments or scripting articulations you are dropping a sample and playing it – job done. You just drop some audio in there and you can play it and mess with it in an old-school sampler sort of way. Probably my favourite innovation in Cubase for a while, the Sampler Track is deliciously simple and immediate and devastatingly useful. It doesn’t feel epic but it’s worth checking out.
#Wavelab le reviews windows 10
Specific improvements to certain tasks, some brand new plugins, under the hood optimisations, Windows 10 catching up on the high DPI scaling and they’ve had some fun developing the Sampler Track, Key Editor and Score side of things. With version 11 it feels like that transition from the old to the new and future-looking Cubase is complete and what we find is more to do with tinkering than an overhaul. Version 10 really did bring a raft of enhancements to every aspect of the design and functionality which brought it back together as a coherent and reinvigorated DAW. The mixer history developed a snapshot feature so you could move between completely different mixes. Plugins got new GUIs and now appeared as thumbnails in the browser. Version 10 brought the rest of the interface into line with the new look of version 9 and lots of standard functions were simplified and smoothed.
It also brought in the Sampler Track which was nicely innovative and creative and the history function in the Mix Console which has probably rescued many mixes. Version 9 brought in the Zone concept which moved Cubase from the DAW-of-a-thousand-windows to a much calmer integrated approach – that was pretty epic. Then again Cubase has taken some massive strides over the last few versions and perhaps it’s only with hindsight that we see exactly how far they’ve come. Improving a behemoth like Cubase must be a daunting task when you have so much legacy to maintain. However, just because the changes are not revolutionary doesn’t mean they haven’t been developed with energy and hard graft. Version updates always feel like they should be epic in nature but they rarely bring massive changes and instead focus on areas that can be improved, enhanced or where workflow can be made smoother.
#Wavelab le reviews update
I’ve been running the update for a little while now and it’s given me the chance to check out the new features and bring you this review of how Steinberg are adding value and development to the Cubase family.
0 kommentar(er)
